The second-place prize went to prolific South Korean filmmaker Hong Sangsoo for “The Novelist’s Movie,” a delicate, conversational-driven drama that focuses on a sequence of encounters with an writer involved in making a movie. Hong had gained the Greatest Director award in Berlin (because the pageant is thought in Germany) simply two years in the past. The jury’s particular award went to “Gown of Gems,” director Natalia López’s debut movie in rural Mexico.
Claire Denis gained Greatest Director for “Each Sides of the Blade,” a scorching melodrama starring Juliette Binoche and Vincent Lindon. Laila Stieler gained the Greatest Screenplay Award for the German movie “Rabiye Kurnaz vs. George W. Bush,” a strong drama a couple of Turkish-German lady’s real-life authorized battle to get her son launched from jail at Guantanamo Bay. who starred in Kurnaz.The most effective man of the yr award went to Laura Basuki from the movie “Earlier than, Now and Then” when she starred in a girl who befriends her lover’s spouse in Sixties Indonesia.
This yr’s pageant was dominated by considerations in regards to the coronavirus. Not like the Sundance Movie Pageant, which went on-line in January, the Berlinale, co-directed by Carlo Chatrian and Mariette Rissenbeek, featured a private occasion that includes purple carpets, briefings and public screenings, albeit with restricted and rigorous capability testing. and masks protocols. (In a compromise, the pageant’s honest, the European Movie Market, was moved on-line.)
The choice sparked some observers as a result of they feared that regardless of the measures, the pageant would speed up infections and pressure hospitals in Berlin within the midst of a wave of Omicron instances. One critic claimed in a remark from the general public broadcaster RBB that attending festivals can be much like enjoying Russian roulette. Writing for an additional commentator within the newspaper Die Zeit, journalist Wenke Husmann, argued that the choice “appeared like a mockery” of public well being considerations.
Equally, the ambiance on the opening gala final week was subdued and considerably defensive, with organizers, politicians and entertainers vehemently interesting to the stage in regards to the significance of going to the flicks. In her speech, German Tradition Minister Claudia Roth argued that the expertise of going to the cinemas was vital for social cohesion and democracy, and that “With out this, we won’t solely lose one another, we are going to lose ourselves.”