Meris has been making wild sounding hi-tech guitar pedals for someday. However its newest entry, the LVX, is probably the wildest entry but. At its core the LVX is a delay pedal, however a fantastically difficult one able to producing a variety of sounds from lo-fi tape warbles, to hi-fi polyphonic pitch shifting, to simple stereo ping pongs.
Below the hood is an “superior ARM processor” (although Meris hasn’t stated what particular processor), and a 24-bit AD/DA with a 32-bit floating level DSP. In brief: there’s lots of computing energy right here to mangle your guitar past recognition and ship extraordinarily high-quality audio whereas doing so.
What actually makes the LVX particular is its modular nature. Consider it nearly like ZOIA-lite. (Although these are two very completely different pedals which might be solely comparable in that they are “modular.”) The place Empress needs you to construct results from particular person digital parts, Meris provides you full constructing blocks that may be mixed in numerous methods to convey out the delay sounds of your goals.
You begin by combining certainly one of 5 delay buildings with certainly one of three delay types to create a core tone. The “construction” might be simply a typical delay, a multi-tap, multi-tap however with a filter, reverse or Poly, which is borrowed from Meris’ Polymoon pedal. The categories are clear digital, darkish BBD (bucket brigade delay), or magnetic which has the lo-fi character of tape.
Then there are 25 “processing components” unfold throughout 5 classes: Dynamics, Preamp, Filter, Pitch, and Modulation. The processing components might be inserted at numerous factors within the sign chain as properly. So if you happen to solely need them impact your echoes, or if you would like them utterly changing your dry tone, you possibly can. These results cowl every part from commonplace fare like compression, to bit crushing and auto-generated harmonies. A few of these are new to the LVX, however many are borrowed from different Meris pedals just like the Hedra, Enzo and Ottobit Jr. Consider it is like a biggest hits compilation of the corporate’s results.
To push the sound design additional Meris additionally provides modifiers for controlling the assorted parameters robotically. There’s two LFOs, an envelope follower, a pattern and maintain perform, plus a sixteen step sequencer. To not point out the expression jack enter and sturdy MIDI help.
And if that wasn’t sufficient, Meris additionally put a 60-second looper and a tuner within the LVX.
That is lots of options to navigate, so the corporate put a fairly sized LCD on the pedal. It isn’t contact, nevertheless it means that you can navigate by way of all these features in a novel “bubble” UI. Judging based mostly simply on the movies, it appears to be like fairly slick and goes approach past what most different pedal makers supply. After all, if the bizarre nearly mind-map model navigation isnt to your liking, you possibly can go together with a extra fundamental textual content view.
The very last thing that the LVX comes with is probably a little bit of sticker shock. At $599 this isn’t for the informal guitarist or somebody trying to get their ft moist on the planet of experimental delay. Nonetheless, that is hardly an absurd worth to pay for a pedal of this scope and pedigree. Chase Bliss’ Automatone line begins at $749 and the Hologram Electronics Microcosm is $449. Meris slots comfortably within the center.
The Meris LVX is accessible to preorder now and can begin transport within the late summer time.
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